During the day Ai (Tomona Hirota) works as a mascot on the streets of Osaka. At night, she supplements her income performing sex acts online. After a one-night stand she discovers her entire encounter has been recorded and uploaded to … Continue reading REVIEW: Videophobia (2019)
Hirokazu Kore-eda is currently one of the most talented and effective directors of feature film drama in the world, and a good measure of that talent is the fact that such claims are not even controversial. His 2018 drama Shoplifters, which … Continue reading MIFF REVIEW: Broker (2022)
Incompetent police officer Reiji Kikukawa (Toma Ikuta) has spent several years working undercover in one of Japan’s most powerful yakuza clans. Now the time has finally come to close the trap on its leader – but is Reiji in too … Continue reading MIFF REVIEW: The Mole Song Final (2021)
50 years on from its initial release, the half-forgotten short feature Maken Liner 0011 Henshin Seyo!! – directed by industry stalwart Takeshi Tamiya – might be showing its age. At the same time it has become an unexpected joy. While its … Continue reading REVIEW: Maken Liner 0011 Henshin Seyo!! (1972)
A Japanese journalist makes a bicycle journey down the Taiwanese coast in Riding the Breeze, a pleasant, charming, but fairly derivative road movie. Produced in 2014, the film was never going to win awards or significant acclaim, but if these … Continue reading REVIEW: Riding the Breeze (2014)
Masaaki Yuasa has spent the last five years aggressively building a reputation as one of Japan’s most inventive and entertaining anime filmmakers. While he earned a healthy cult following with his 2004 feature debut Mindgame, it is through recent hits … Continue reading SFF REVIEW: Inu-Oh (2021)
One of the longest-running film series in the world was Daiei Studios’ Zatoichi. They starred Shintaro Katsu as the titular blind samurai-turned-masseuse, and ran for 26 feature films and 100 episodes on television. It has been revived and adapted since – even … Continue reading REVIEW: The Tale of Zatoichi (1962)
A new anime feature provides some excellent design work and colour, but is saddled with an overly familiar story and an extended climax which both consign it to the pile of disposable entertainment. It is enjoyable enough to watch, but … Continue reading REVIEW: Bubble (2022)
Sogo Ishii, more recently professionally credited as Gakuryū Ishii, is a pivotal figure in Japanese cinema, but until very recently a lack of international distribution has kept him out of the limelight beyond his own country. He is a pioneer … Continue reading REVIEW: Dead End Run (2003)
A disaffected civil servant in late middle-age (Takashi Shimura) learns that he has terminal cancer and a few months left to live. After the initial shock and panic wears off, he sets out in a last-ditch attempt to find a … Continue reading REVIEW: Ikiru (1952)
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