Jane Shaw (Rachael Taylor) travels to Japan for a honeymoon with her new husband Ben (Joshua Jackson). While driving down a country road at night she collides with a young woman, causing her car to crash. The dead woman’s body can not be found. As Ben returns to work in Tokyo, he and Jane begin to be haunted by the woman’s ghost.

What strikes me as remarkable about Shutter is not that it is a remake, but that it is a Hollywood remake of a Thai film (directed by 2004 by Banjong Pisanthanakun and Parkpoom Wongpoom) relocated to a Japanese setting in order to stylistically emulate all of the Hollywood remakes of Japanese horror movies that preceded it. For a while there was an ongoing line of American remakes of Japanese horror: The Ring, The Grudge, Dark Water, Pulse, One Missed Call, and so on. Is it an act of genius by producer Roy Lee – who also co-produced most of the above remakes – to shift Shutter over to tonally match them, or is it some weird form of cultural appropriation? To the film’s credit, its Japanese setting and style comes along with a Japanese director: Ochiai Masayuki, who had previously directed the horror films Parasite Eve and Infection. Would a Thai director not have been as effective though?

The horror elements of the film are competent enough, but the rest of the film struggles to match its most effective moments. Joshua Jackson is a flat, generally unlikeable male lead. Rachael Taylor does better, but struggles somewhat with maintaining her American accent. It is a nice surprise to see Okina Megumi in the cast as the mysterious ghost (also named Megumi, as it happens) – she had previously starred in Shimizu Takashi’s 2003 film Ju-On: The Grudge.

The time in-between the horror moments is relatively slow and weak, which is a surprise given the film’s truncated running time (85 minutes including credits). It is as if the film is satisfied with getting from one plot point to the next but does not feel the need to exert itself along the way. The result is a very generic, Japanese-flavoured horror movie. It does its job to a satisfactory extent, but little more. The bottom line is that there are better and more original horror films out there that deserve viewing a lot more than this one does. This is also not the only remake of Shutter: it was remade twice in India, once in Tamil and once in Hindi. Clearly the story has piqued popular interest. I do wonder if those remakes are any better than this one.