Lowell Sherman’s pre-Code drama Born to be Bad is a distinctive and unusual film. While in many ways it seems critically compromised, it also reveals a remarkable boldness and originality in its storyline and characters. I have written in the past about … Continue reading REVIEW: Born to be Bad (1934)
A disaffected civil servant in late middle-age (Takashi Shimura) learns that he has terminal cancer and a few months left to live. After the initial shock and panic wears off, he sets out in a last-ditch attempt to find a … Continue reading REVIEW: Ikiru (1952)
I have written in the past about how so many silent features have been lost from cinema’s early years, either being lost in accidental fires – nitrate film is ridiculously flammable, sometimes explosively so – or simply not perceived to … Continue reading REVIEW: Apart from You (1933)
In Nicholas Hytner’s drama Center Stage, an ensemble of young dancers join the prestigious American Ballet Academy in New York – but only a select few will progress beyond their first year. The academy itself is entirely fictional, but Hytner … Continue reading REVIEW: Center Stage (2000)
Ernest B. Schoedsack and Merian C. Cooper will forever be remembered for their 1933 monster classic King Kong, but it was not the only film they made together. In 1935 they co-directed the RKO Pictures Roman epic The Last Days of … Continue reading REVIEW: The Last Days of Pompeii (1935)
Kameda (Masayuki Mori) is a naïve man who suffers from epilepsy. He returns home to Hokkaido after almost being shot by firing squad in Okinawa. There he meets Taeko (Setsuko Hara), a former mistress to a rich business man, who … Continue reading REVIEW: The Idiot (1951)
I just don’t understand,’ mutters a woodcutter (Takashi Shimizu), and he shelters under the half-ruined eaves of the Rashomon gate with a priest (Minoru Chiaki) and a passer-by (Kichijiru Ueda). The woodcutter has just returned from a trial by the … Continue reading REVIEW: Rashomon (1950)
House of Gucci is, I think, a movie in conflict with itself. On the one hand it is a glorious work of glossy trash: obscenely rich families fighting one another over control of the family business, eccentric cousins, disapproving fathers, television … Continue reading REVIEW: House of Gucci (2021)
Artist Ichiro Aoe (Toshiro Mifune) meets pop singer Miyako Saigo (Yoshiko Yamaguchi) in the mountains. She has missed her bus, so he offers her a ride back to her hotel on his motorbike. They are photographed together by an opportunistic … Continue reading REVIEW: Scandal (1950)
A young knight Robert Nerra (Eric Stoltz) and his brother defy their father and set out to join King Richard I’s crusade. When their quest is immediately struck by tragedy, Robert continues alone. He finds himself the unwilling leader of … Continue reading REVIEW: Lionheart (1987)
FictionMachine 