An anonymous mastermind (Jung Woo-sung) leads a highly effective team of professional criminals through a series of strategic hits. Meanwhile, a rookie detective (Han Hyo-joo) joins the specialist police surveillance team tasked with tracking the robbers down.

At first I assumed the deja-vu I was feeling watching Korean thriller Cold Eyes was due to its obvious debt to Michael Mann’s Heat (1995), which also followed a dual storyline of rival cops and criminals. It turns out I was right that the film was copying another, but had the wrong film: Cold Eyes, a 2013 film directed by Cho Ui-seok and Kim Byeong-seo, is a fully-fledged official remake of Eye in the Sky, a 2007 surveillance thriller directed by Yau Nai-hoi.

It is a phenomenon that trips me up every time. I am well familiar, and indeed somewhat jaded, by American film studios making English-language remakes of foreign-language features. I keep forgetting that all of those foreign language film communities also remake each other’s works. South Korea and China are particularly keen on adapting each other’s films. The Koreans remade John Woo’s A Better Tomorrow in 2010, and Johnnie To’s Drug War in 2018. There is a 2024 remake of Soi Cheang’s Accident I am still quite keen to check out. With Cold Eyes Cho and Kim develop a slick, very Korean alternative to Yau’s excellent original thriller. If you have never seen Eye in the Sky, this will simply be an effective and entertaining movie. If you have seen it, this is a fascinating example of how changing tone and style can transform the entire film. Despite its origins in a Johnnie To-produced Chinese language feature, this feels like a film made for a Korean audience.

Han Hyo-joo plays Ha Yoon-jo, nicknamed “Piglet”, the latest addition to a crack squad of surveillance experts. Han plays the role with an earnest quality: she is immediately engaging and easy to follow, and the film builds up a nice relationship with her commander and mentor Hwang (Silmido‘s Sul Kyung-gu). On the opposite side, Jung Woo-sung forms a bleak but captivating presence as the criminal leader known only as “James”. There is no Heat-style encounter to connect the leads, and yet a firm connection is made anyway. It’s gripping stuff.

There is a taut, seamless quality to the film. Each shot feels beautifully composed, as if sculpted. Important details are highlighted with efficiency. A tight edit has trimmed the film of all extraneous content. It has a tremendous handle on suspense and tension. It almost feels sacrilegious to consider the possibility, but Cold Eyes may be a more effective version of Eye in the Sky than Eye in the Sky is. It benefits from a glossier set of production values and an improved sense of pace. Despite the original featuring some key Hong Kong talent including Tony Leung Ka-Fai and Simon Yam, the cast here prove themselves capable of a similarly high standard.

This may not be an original work, but it is a excellent variation of it.

Cold Eyes is currently streaming on Tubi in Australia and Prime Video in the USA.

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